bio (biography) Niall Leonard, Screenwriter and Codologist
  photo of Niall Leonard's studio: desk

Niall grew up in Newry, Northern Ireland during the 1970s, and like many Ulster writers was inspired to write by earnest handwringing TV dramas about ‘The Troubles’. In 1977 he went to the University of York to study English, and after graduating in 1980 returned to Newry, thinking vaguely of becoming a journalist.

A few months later Niall got a phone call from a fellow York graduate attending the National Film and Television School in Beaconsfield who needed a script to film as part of his directing course.  Niall promptly wrote The Mandrake Screams, a surreal satirical one-off sitcom that was nearly impossible to produce.  However the script came to the attention of the NFTS, and Niall was invited to apply as a trainee screenwriter. 

 
 

His first film as a student writer/director was Absolution, a bloody revenge tragedy shot on location in Newry in 1983, starring Derek Halligan and Donal O’Hanlon. For next year or two Niall worked as gaffer, sound assistant, production manager, art director and 1st AD on student movies from Chipping Sodbury to Athens before finally writing and directing his graduation piece, the Ulster black comedy No Man’s Land, starring Patrick Bergin and Des McAleer, in 1985.

Graduating from the NFTS in 1986 Niall spent a year doing PR movies for corporations before getting his first drama directing job on The Bill Over that period he developed Over The Wild Frontier, a six-part comedy drama set on the Irish border, and wrote and directed the one-off black comedy Rotten Apples for Channel Four.  Niall went on to develop a series of screenplays and TV series with independent producers, while directing more episodes of The Bill and CITV sci-fi series The Tomorrow People.  His first drama episode to be screened on network TV was for Jimmy Nail’s cop show Spender, closely followed by an episode of Pie In The Sky with Richard Griffiths.  

candid photo of Niall Leonard drinking Guinness at the pub  
 

In 1993 Niall took up a post at BBC Northern Ireland as Script Editor under Robert Cooper.   In twelve months he read, analysed and reported on approximately six hundred and fifty scripts from all over Ireland and got to work as script editor to his long-time hero Graham Reid on Life After Life, a gritty drama about paroled Ulster terrorists. At the same time Niall wrote the script for The Horse and His Boys, a dramatised documentary for BBC One, and started working with Belfast’s Hole In The Wall Gang as script associate on Give My Head Peace, the hugely successful satirical sitcom that eventually ran for ten years on BBC Northern Ireland.  

Office life, however, was not for Niall and he left BBC NI in 1995 to return to freelance work. After directing Delta Wave for CITV, was asked to write for Ballykissangel.  From that point on focused on writing over directing, and went on to create episodes covering a broad range of genres, including Silent Witness, Hornblower, Sea of Souls, Second Sight, Holby City, the Minette Walters adaptation The Dark Room, and several series of Monarch of The Glen and Wire In The Blood.  His most recent broadcast work was for Series VI of Wild At Heart for ITV.

Recently Niall completed a pair of big-budget action movie two-parters for Power Film and Television: Puppet On A Chain and Air Force One is Down, loosely adapted from the Alastair MacLean novels For projects currently in development – watch this space.

Niall has lectured, led seminars and participated in workshops on screenwriting and script editing for the BBC, the Northern Irish Film Council, and the Irish Screenwriters' Guild.  

He is married with two kids and a rather smelly dog and currently lives in West London.